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Jared Owens

111 ...and other stories

Malin Gallery | New York

September 15 – November 19, 2022

Jared Owens, Shadow Boxing #1, 2022

Jared Owens

Shadow Boxing #1, 2022

Mixed media on panel including soil from prison yard at Fairington F.I.C.

60 in. x 72 in.

Jared Owens, Ellapsium #12, 2022

Jared Owens

Ellapsium #12, 2022

Mixed media on panel including soil from prison yard at Fairington F.I.C.

48 in.  x 44 in.

Jared Owens, 111 #6, 2022

Jared Owens

111 #6, 2022

Mixed media, burlap, soil from prison yard at Fairington F.C.I.

48 in. x 48 in.

Jared Owens, Hog Feed #103, 2022

Jared Owens

Hog Feed #103, 2022

Mixed media on panel, oil stick, burlap and silk screen on panel

48 in. x 48 in.

Jared Owens
Jared Owens
ARTnews
ARTnews
Review: 'Krimes' Spotlights Artist Jesse Krimes' Struggle to Overcome Years in Prison Showcase in New Documentary by Alex Greenberger
The Art Newspaper
The Art Newspaper
The Top Four Art Documentaries at DOC NYC by by David D'Arcy
Hyperallergic
Hyperallergic
Jordan Casteel, Nicole Fleetwood and Daniel Lind-Ramos Named MacArthur "Genius" Fellows by Hakim Bishara
The Brooklyn Rail
The Brooklyn Rail
Marking Time: Art in the Age of Mass Incarceration by Darla Migan
The Marshall Project
The Marshall Project
Spotlighting the Ingenuity of Artists Behind Bars
FRIEZE
FRIEZE
What an Abolitionist Exhibition Looks Like in a Carceral World by Catherine Damman
The Atlantic Monthly
The Atlantic Monthly
The Breathtaking Ingenuity of Incarcerated Artists by Leslie Jamison
Installation of wall text
The New York Times
The Most Important Arts Moments in 2020 by Holland Cotter, Roberta Smith and Jason Farago
Jesse Krimes quilt installation
Artnet News
What Does Art in the Age of Mass Incarceration Look Like? A Gripping New Show at MoMA PS1 Presents Startling Answers by Taylor Dafoe
Jesse Krimes soap work
National Public Radio - Morning Edition
"Marking Time" and Making Art in Confinement by Andrew Limbong
Museum installation
The New Yorker
Marking Time: Art in the Age of Mass Incarceration by Johanna Fateman
Detail of Jesse Krimes quilt
Hyperallergic
From Marking Time - An Excerpt by Nicole Fleetwood
Detail of Jesse Krimes quilt
The New York Times
Critic's Pick - Making Art When Lockdown Means Prison by Holland Cotter
Press image
New York Magazine
MoMA PS1 Reopens to the Public with "Art in the Age of Mass Incarceration" by Cassidy George
Jesse Krimes soap work
ARTFORUM
Carceral Aesthetics: Nicole R. Fleetwood in Conversation with Rachel Kushner
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